Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
I wrote
Musical Misfires: Three Decades of Broadway Musical Heartbreak
An early and still one of the best works on the subject, Green'sThe World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.
Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to include such recent shows as A Chorus Line, Barnum, They're Playing Our Song , and Annie . In a format that provides biographies of all the leading figures in the musical's development, Stanley Green manages to convey the spirit of the Broadway stage, its musical make-believe, and yet remain objective about the creative swings in its history and the careers of its individual creators. Everyone is here: Victor Herbert, Sigmund Romberg, Jerome…
Mordden has written books about musicals from several decades of the Twentieth Century but my favorite remains Make Believeabout the 1920s. Too few American musicals from that decade are still performed today. Show Boat and No No Nanette are two memorable exceptions. So most of the shows in the book are not familiar to theatergoers. But Mordden brings these musicals to life with his vivid writing and enthusiasm for what was a Golden Age for the art form.
The 1920s represented a turning point in the history of the Broadway musical, breaking with the vaudeville traditions of the early twentieth century to anticipate the more complex, sophisticated musicals of today. Composers Jerome Kern, George Gershwin, Cole Porter, Richard Rodgers, and their contemporaries revitalized the musical with the sound of jazz and other new influences. Productions became more elaborate, with dazzling sets, tumultuous choreography, and staging tricks, all woven into tightly constructed story lines. These dramatic changes of the 1920s ushered in the "golden age" of the American musical theater. Ethan Mordden captures the excitement and the atmosphere of…
Musical theatre fans delight in reading about the famous and not-so-famous disasters in the genre. Mandelbaum covers nearly 200 of these musical flops that opened (and often quickly closed) on Broadway between 1950 and 1990. It is a lively read, well researched, and has plenty of "what were they thinking?" attitude. Not much copy is given to one musical (except the title musical Carrie) but the coverage is comprehensive. A favorite among musical theatre fans,Not Since Carrie was the inspiration for Mark Robinson and myself when we continued Mandelbaum's chronicle with our own Musical Misfires.
Not Since Carrie is Ken Mandelbaum's brilliant survey of Broadway's biggest flops. This highly readable and entertaining book highlights almost 200 musicals created between 1950 and 1990, framed around the notorious musical adaptation of Carrie, and examines the reasons for their failure. "Essential and hilarious," raves The New Yorker, and The New York Times calls the book "A must-read."
This weighty reference book is not something to be read from cover to cover but, for browsing or looking up a plot or commentary on Broadway musicals, it is still the leader in its field. Bordman published his Chronicle in 1978 and he revised it up until his death, critic Richard Norton helping on the fourth edition. The coverage is impressive: musicals from the late 1700s up to 2010. The writing is concise and to the point. This book discusses shows you're not likely to find in any other book or website.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical.
If you are looking for a highly opinionated and passionate account of the Broadway musical and the changes it has undergone over the decades, this book is for you. Grant does not pull his punches and the general tone is one of despair at the decline in the quality of musicals. But the book is well researched and offers many provocative ideas which the die-hard musical fan will find fascinating. It's the kind of work that you want to read after you have a solid knowledge of American musical theatre and you want to have your traditional ideas challenged.
Winner of the ASCAP–Deems Taylor Award (2005)Many of today’s Broadway shows, from Rent to The Lion King, have become commercial hits, but do they have the cultural importance or the dramatic and musical artistry of such enduring productions as Oklahoma!, Show Boat, or Kiss Me, Kate? Mark N. Grant traces the transformation of singing and melody, libretto and lyric writing, dance rhythms, sound design, and choreography and stage direction through three distinct eras: the formative period (1866–1927), the golden age (1927–1966), and the fall (1967 to the present). He explores how and why the unsophisticated genre of pre-1927 musical comedy…
Musical Misfires looks at 151 musicals that did not run long enough to be considered hits. Such shows were once called flops but that is no longer an appropriate description. Some of these were superb pieces of musical theatre that, for one reason or another, couldn't find an audience, did not please the critics, couldn't pay the high weekly bills, or just were not right for the time and place in which they opened. Oft-overlooked gems like The Scottsboro Boys and Caroline, or Change are explored alongside such famous musicals as Chitty Chitty Bang Bang, and Seussical. A wide variety of musicals are included in this captivating look at Broadway shows from 1989 to 2020 and their search for success.
Adventures in the Radio Trade documents a life in radio, largely at Canada's public broadcaster. It's for people who love CBC Radio, those interested in the history of Canadian Broadcasting, and those who want to hear about close encounters with numerous luminaries such as Margaret Atwood, J. Michael Straczynski, Stuart McLean, Joni Mitchell, Peter Gzowski, and more. And it's for people who want to know how to make radio.
Crafted with gentle humour and thoughtfulness, this is more than just a glimpse into the internal workings of CBC Radio. It's also a prose ode to the people and shows that…
"In dozens of amiable, frequently humorous vignettes... Mahoney fondly recalls his career as a Canadian Broadcasting Corporation radio technician in this memoir... amusing and highly informative." — Kirkus Reviews
"What a wonderful book! If you love CBC Radio, you'll love Adventures in the Radio Trade. Joe Mahoney's honest, wise, and funny stories from his three decades in broadcasting make for absolutely delightful reading! — Robert J. Sawyer, author of The Oppenheimer Alternative''
"No other book makes me love the CBC more." — Gary Dunford, Page Six *** Adventures in the Radio Trade documents a life in radio, largely at Canada's…
